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He is a true, free spirit. He led the way with his finger in pul- fashion and life.
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Each of the eleven collections that Inquisitor produces each year offers a variety of exquisite styles for every season.
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Each collection will have a shape, form or texture to match your everyday outfit to a glamorous evening look.
Without skill, this trend of researchers has found its mark in some of the world’s leading retailers;
Designer Cyd Beard first joined the Australian Family Label in 2014 with Custody. After launching Intimate Guardians, he balanced his time between the two brands, finally turning his attention to intimates. Through this transition, Cyd began to grow and became a true manager of the brand. August 2016 saw Cyd make her next big move to the long-term Head of Intent, and she loves the Guardians fans. a delicacy Her July 2017 debut, ‘Musa’ was inspired by the Finders girl, who is confident, ambitious and fearless. the most awaited title.
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Since 2005 the UK-based label Seekers has been entertaining fans of psychedelic, jazz, folk, funk, avant-garde and muzak music with rare vinyl records from alternative pop history. The people behind the label are musician, DJ, producer and arranger Andy Votel, and unknown collector, LP compiler and DJ, Doug Shipton. They were released together, and the mix was long forgotten. The diverse line-up of artists is notable such as Atari microphone artist Suzanne Ciani, Chilean-French film director and composer Alejandro Jodorowsky, Swiss composer Bruno Spoerri and contemporary acts such as Mancunian duo Demdike Stare.
Shipton and Votel also opened several labels (“Amazing Sounds”, Invasion of Anatolia, B-Mic, Cache Cache, Cacophonic, Disposable Mic and Hypocrites?) new wave, disco, punk, avant-jazz, noise, as well as interpretations and interpretations pushing pop micro soundtracks.
For Carhartt’s WIP Radio, Founder Doug Shipton has prepared an Intention mix that reflects the brand’s rich history. Born Dutch saxophonist Billy Green, the German group Lied Des Teufels was led by Valerie Lagrange. Guests, we sat down with the owners of this month and talked about the origin of the brand, the history behind them, how the world emerged again and how the haircut was made.
Doug Shipton: I’ve known Andy since he fronted the Manchester label Torn Nerve with Damon Gough (aka Badly Drawn) in the early 2000s. I did some business with people when I was studying at a university in the North, but I returned to London when I graduated. So I worked for a different PR company and ended up at Cherry Red Records (one of the independent labels in the UK) but I kept in touch with Andy, who started releasing compilations in Fat City called Finders Keepers. With our eclectic mix of vinyl and eclectic palettes we went on to work together on Andy’s Folk Is Not Four Words and Prog Is Not Four Letters before Andy, Dom and I decided to join forces and start The Search. Guardians with the release of L’enfant caredes des mouches – I look back on a bold move, but also a very clear statement of intention that still composes the heart of the brand to this day.
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Doug Shipton: When we first started, we were often referred to as ‘the world’s most dangerous band’ which is the mindset of us partnering with the B-Mic team – a group of DJs, artists, artists and writers. to follow the voice of the second class. Back then you still had the world of micro section in the warehouse but we were lucky enough to hit the ground running with the first release and we worked hard to help bridge the gap between the mainstream and the innocent. But the plates have changed a lot since then and the whole idea of re-recession and gender trends is open.
Doug Shipton: Every release is unique. In addition to the movement of the culture of law and creation, we must follow; By distinguishing, requesting the rights holder and negotiating a separate name release. International phone calls, faxes and teletext messages through friends have become everyday business tools but life has become a little easier with the rise of social media and so on. Not all the time. Obviously, as fans of the micro, we want to work with the artists involved, so we always find them first to say hello, to find the whole story and see if we take it from there and how we do it.
Doug Shipton: I see it as new and fresh – that’s when it was made. Galaxy Mics is there to check out if you want to put some time into it. Understanding and gratitude will undoubtedly inform me in different ways, but I have an open mind to everything. Looking back, I spent a lot of time on rock and stone in Eastern Europe, but then I looked for bits in Turkey, Indonesia and Mongolia. I’m sure as any flashy lover can testify, every now and then someone will suggest that you take everything back and start you on a new path.
Doug Shipton: Absolutely. The guiding principle of the search is that if there is something that pleases us and makes us think of others, we pay for it.
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Doug Shipton: They are great. This question has been brought to me in the middle of a “format war” that always raises its head from time to time. I grew up listening to my parents’ record collection before I collected my own, so color played a big part in my love of Micbae. Andy is an amazing artist and his work has inspired much of the art of recording. He was instrumental in creating the jewelry label and helping to continue the tradition. Proper writing also involves a person in telling the story that needs to be told. Make no mistake, anyone is allowed to do whatever they want, however they want. In fact, as a label, we wouldn’t have it any other way.
When vinyl is recycled, the quality of the print is often poor. You forgot to dig out the long-lasting mics and re-solve it very well in terms of sound quality. Is it difficult to put a quality?
Doug Shipton: This has proven challenging in recent years as plants have been forced to complain about increased demand, but we are working hard to set standards with the people who are working. We always work with printers and artists/women in house as much as possible with the various elements that go into our sleeves. I send all the plants to produce.
Doug Shipton: A lot! We are currently working on a series of events based on data from Injury Nurses. Andy and I are putting together the next batch in the Plastic Dance series. Microphones from Jean-Claude Vannier, Suzanne Ciani, Gökçen Kaynatan and Durul Gence have already released, all of which will be launched in 2019.
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Doug Shipton: I want to have a nice home – to be able to touch people in the same way. To help people’s knowledge and perhaps provide a means of discovery. Also, we give other artists some experience that they didn’t have in the first round, or help introduce them to a new generation of listeners who didn’t get the mic.
Do you have a list of information you want to see in Search Engines? But if it is so. can you say the name
Doug Shipton: That will tell. But let me say that I prefer to discover and share what I do not yet know
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